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Fonema Consort // Arcomusical & Krissy Bergmark // Stare at the Sun

  • Ganz Hall 430 South Michigan Avenue Chicago, IL, 60605 United States (map)

Performers:

Fonema

Nathalie Colas, soprano
Dalia Chin, flutes
Emily Beisel, clarinets
Kathryn Schulmeister, string bass
Sam Rowe, guitar
Yulia Block, percussion

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Arcomusical

​​Krissy Bergmark, guest tabla soloist
Matt Ulery, guest bassist and composer
Gregory Beyer, berimbaus
Raychel Taylor, berimbaus
Ethan Martin, berimbaus
Matthew Schneider, berimbaus
Noel Streacker, berimbaus
Elena Ross, berimbaus

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Stare at the Sun

A.J. Keller, conductor 

Tenor
Paul Hunter
Russell Pinzino
Benjamin Martin
Matt Cummings

Bass
Ari Carrillo
Zachary Kurzenberger
Tabes Bridges
Michael Follis
Ian Morris

Soprano
Molly Phelan
Anna Joy Buegel
Kate Lee
Sarah Fisk
Rachel Sparrow
Alana Grossman

Alto
Renata Herrera
Emily Amesquita
Gabrielle Timofeeva Lopez
Chelsea Lyons
Carolyn Boudreau
Mallory Harding

Program:

Fonema: Cartografía de los Anhelos

Darlene Castro Desire Paths

Juan Campoverde Los Lugares del Deseo

Michele Abondano |  Just an attempt to dissipate

Carlos Zárate a fact of ours* ‡



Arcomusical

Traditional Afro-Cuban sacred music | Three Warriors, from the oro seco, arr. Gregory Beyer †

David M. Gordon | Cantifractus Psalmodicus* 

Krissy Bergmark | New work*

Gregory Beyer | Berimbau Sextet no. 2, "Traíra"

Matt Ulery | Emigre and Exile




Stare at the Sun

Nicholas Cline |  A Strategy for Confrontation

Ayanna Woods | Close[r], now

Matthew Recio | Holdfast 

Ted Hearne | Privilege

Edie Hill | We Bloomed in Spring

Joanne Metcalf | The Sea’s Wash in the Hollow of the Heart

Alissa Voth | The spirit intercedes with sighs too deep for words 

Alex Berko | O Me! O Life!



*World Premiere Performance
† Illinois-based Composer
‡ Micro-Grant Awardee


The program Cartografía de los Anhelos is deeply ingrained in poetry and timbre. Ranging from dense textures to thin, thread-like sounds, it depicts desire, deep longing, and the search for new paths—or the return to familiar ones, as Darlene imagines in her work. Each piece builds a map of strong desires and relationships with the elements each composer explores, such as word, timbre, poetry, image, and tangible places—drawing both performers and audience into a dreamlike state.

Arcomusical's cutting-edge program, "Spirits in Exile," includes world premieres by tabla virtuoso Krissy Bergmark and iconoclastic composer David M. Gordon, as well as Afro-Cuban sacred music and masterpieces by Matt Ulery and Gregory Beyer. The question of where spirit can reside in an increasingly troubled world animates this program that surges with haunting, pulsing, and raging new sounds for the unmistakably beautiful sound of Arcomusical's unique sextet of berimbaus.

Midwestern Tongues  is a retrospective featuring works that Stare at the Sun has commissioned, premiered, or workshopped, as well as a couple other pieces by midwestern composers we have previously championed. Highlights of the program include Matthew Recio’s "Holdfast," which explores the agony of physical separation and the phenomenon of skin hunger; Alyssa Voth’s "The spirit intercedes with sighs too deep for words," a rhapsody on the Pentecostal practice of speaking in tongues; and Ted Hearne’s "Privilege," which abstractly explores the causes and repercussions of socioeconomic inequality.

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October 11

Ear Taxi Festival, DePaul Ensemble 20+, and  William Ferris Chorale present “The Lost Birds”

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October 12

Composer Showcase Featuring the Ravinia Steans Institute